Gumpin' It - Intros and Conclusions

If you want some examples of how to echo your introductory hook in your conclusion, you have no further to look than Tom Hanks movies. First up, Forrest Gump. Remember how the movie starts? That feather floating around?



There it is. Just floating through the air for, like, a million years. Then, finally, it lands at Forrest's feet. He bends down, picks it up, and we learn he's sitting on a bench and waiting for the bus.

Anyone remember how the movie ends? That's right. It ends with Forrest sitting on a stump, waiting for a bus. And what's that down by his feet? Could it be?

Now, does the film actually have anything to do with that feather? Well, yes and no. I mean, is the movie about a man with mutant chicken powers who hides his feathers from the world in fear that they will judge, mock, and, ultimately, capture and dissect him in the name of science? Not exactly. Is the film about a small town chicken rancher trying to make it in the big city as a chicken robotics expert? Of course not. Thematically, however, the movie is all about the feather. Forrest, like the feather, is blown by the wind from place to place with no direction or free will of his own. Chance is piloting Forrest's ship, not fate - just like the feather. We call this symbolism. So yeah, the filmmakers chose an opening hook that connects with the body of the film thematically, just like you can choose a hook for your essay that connects thematically - via your link - to your essay's central topic.

Next up, Saving Private Ryan. At the beginning of the movie, an elderly vetran visits the graves of his fallen soldier brethren. We then flashback to the war:



Later, near the end of the film, as Ryan's flashback comes to a close, we flashforward, back to the present with Ryan still kneeling in Arlington Cemetary.



And that's how you know the movie is over. The end echos the beginning, and the audience has closure. It just wouldn't make any sense to suddenly cut back to the war one last time. In the writing business we call it "The End."

One last example. So, okay, Forrest Gump won the Academy Award for best picture (beating Pulp Fiction?), and Saving Private Ryan was nominated (losing to Shakespeare in Love?), but you know what film was robbed of awards and glory? Splash. That's the one where Tom Hanks falls in love with a mermaid. Oh yeah. I don't care how many award-winning films Hanks stars in. For me, he'll always be the guy falling in love with a fishlady. And how!

The movie starts with Hank's character as a kid on a boat, staring at the water. He then jumps overboard and, while everyone panics on deck, sees a mergirl. They, of course, fall in love.



And just try to guess how this thing ends...



So that's how you echo your hook in your conclusion. You think like a Tom Hanks movie.

Question time: What other films, short stories, books, etc. can you think of that utilize the echo technique and 'Gump it'? Please give an example and describe it in detail. (I would expecially like to hear any ideas you might have on Tom Hanks movies I failed to mention. If anyone can think of any, I'll probably post them, too.)